The Green Mill is sophisticated informality, warm glowing atmosphere steeped in the heady sounds of the early ’30s and ’40s; it was actually patterned after Clark Monroe’s Uptown House in Harlem (as it was during the ’40s). Uniquely comfortable to all audiences from the sequined Saturday night date to the progressively dressed offbeat student, the magic of the Mill is that the audience commingles in its mutual respect for the music.
And, in the far corner, in all her alabaster glory, stands Ceres, Goddess of Harvest, rechristened Stella by Starlight by the house musicians. Stella was salvaged from the lower depths of the Green Mill, dusted off, and returned to complement the authenticity of the art deco/art nouveau décor in the light fixtures and artwork, embellished with lavishly scrolled frames. Shades of Al Capone’s heyday are found in the wall memorabilia as you enter and in the famous booth where he and his henchmen could keep a cautious eye on both doors.